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FullLength of Our Brand Is Crisis in HD Video Now you can download full Our Brand Is Crisis in high quality with duration 108 Min and has been launched in 2015-10-30 with MPAA rating is 1.. Original Title : Our Brand Is Crisis Movie title in your country : Our Brand Is Crisis Year of movie : 2015 Genres of movie : Drama, Comedy, Status of movie : Post Production
OurBrand Is Crisis full movie watch online on 123movies , Watch Our Brand Is Crisis movie online free without any registration. Genre: Comedy , Drama Actor: Ann Dowd , Anthony Mackie , Billy Bob Thornton , Candice Harrison , Carmela Zumbado , Joaquim de Almeida , Sandra Bullock , Scoot McNairy , Zoe Kazan
OurBrand Is Crisis 2015, R, 108 min. Directed by David Gordon Green. Starring Sandra Bullock, Billy Bob Thornton, Anthony Mackie, Joaquim de Almeida, Ann Dowd, Scoot McNairy, Zoe Kazan, Dominic
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Itstotal stands at $1.1 million. The failure of "Our Brand is Crisis" contributes to an annus horribilis for Warner Bros. The studio scored hits with "San Andreas" and "American Sniper
TheFree Library > General Interest/Informational > General interest > South Wales Echo (Cardiff, Wales) > January 22, 2016. Our Brand Is Crisis is a sharp and sporadically biting satire of political spin and intrigue, inspired by Rachel Boynton's 2005 documentary of the same title about the impact of American campaign strategists on the
Iintend to watch the 2015 film Our Brand Is Crisis sometime within the next 14 days. However, I followed my intuition to check out the documentary that the 2015 movie is based on in order to get a stronger understanding of what is happening and to help me further understand and enjoy the 2015 movie of Our Brand is Crisis (starring Sandra Lee Bullock and Billy Bob Thornton) when I go to watch it.
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Hr9Q. âThe more things change, the more they stay the same.â That statement is never truer than when it comes to politics, be it in the United States or elsewhere. As we have seen time and again with both narrative films and documentaries, election campaigning is a deadly, take-no-prisoners sport. The goal is always the same â winning â and the process typically means to win at any price no matter what tactics must be applied. But when you toss in the added layer of utilizing American marketing and advertising strategies, the process takes on a life of it own. Timely and topical and in step with Americaâs current presidential campaign, leave it to the Smokehouse producing team of George Clooney and Grant Heslov, together with their co-conspirator Sandra Bullock, to serendipitously deliver âOur Brand Is Crisisâ to the American public at the outset of our own 2016 campaign buffoonery. Suggested by Rachel Boyntonâs 2005 documentary of the same name which showcased the 2002 Bolivian election and its employment of American political campaign marketing tactics, director David Gordon Green works with an intelligent, rapier-witted script from Peter Straughan that drips delicious satire, fictionalizing that 2002 Bolivian election. With Sandra Bullock and Billy Bob Thornton as opposing political strategists, the gloves are off and we are treated to a film that is nothing short of brilliant. Jane Bodine could rule the world; that is if she wasnât burnt out on life and reduced to a self-induced therapeutic state of hiding in the mountains away from the world and making pottery bowls upon pottery bowls. Jittery from too much coffee and severely nicotine deprived, not to mention being a little lax on her personal grooming, despite Janeâs constant profferings of âbeing fine and happyâ, one can still see and feel her itch and the longing for the power and excitement that once being the greatest political strategist around gave her. So when campaign consultants Ben and Nell show up at her door, after much begging and pleading on their parts, Jane reluctantly agrees to head to Bolivia to work up the campaign of ex-president Castillo who is currently in fifth place with only 8% support of the voting public. If anyone can turn a sowâs ear into a silk purse, itâs Jane Bodine. But on her arrival, she gets the surprise of her life. Turns out Ben and Nell forget to mention one little tidbit about the elections. The leading candidate, Rivera, has his own strategist â Pat Candy. Candy is nothing short of Janeâs arch nemesis and worst nightmare and has won every campaign in which the two have competed. With Candy in the mix the stakes go beyond mere election work. Itâs personal. Immediately faced with altitude sickness and with Castillo and his team less than impressed with Janeâs alleged skills, things arenât looking too good for Jane, or Castillo. An observer who quietly takes in the world around her as it unfolds, it comes as a total surprise to all when Jane jumps into action as the floodgates of ideas opens wide for her. Quoting Sun Tzu as easily as she quotes Warren Beatty although she seems to quote Beatty more or Winston Churchill or rattles off political facts, figures and parables, Jane is indeed a force to be reckoned with; something that Pat Candy relishes with dastardly abandon. A game of words and deeds with Bodine flipping negatives on their heads and turning them into positives, she hits on an inspired marketing strategy. Crisis. âOur Brand Is Crisisâ. And with Candy and Bodine pulling out every political trick in the book and pushing ethical boundaries to check and checkmate at every turn, there is great truth to be found in the ensuing antics, as well as a crisis of conscience with some wondering just how far is too far. While both Sandra Bullockâs Jane Bodine and Billy Bob Thorntonâs character of Pat Candy are based on real life paid political consultant James Carville, Bodine is the âfictionalizedâ character, with Pat Candy being an incarnation of Carville in those 2002 elections. Both Thornton and Bullock are unstoppable in their performances, individually and when going toe-to-toe. The glee that each brings to their respective role is too delicious for words. And when it comes to satiric delivery, each is perfection. To achieve this âperfect stormâ between them, according to both Thornton and Bullock, much stemmed from their long time off screen friendship. As Bullock explains, âWhat we did is we just allowed certain awkward and uncomfortable moments from obviously the demise of that relationship to seep into various moments that were pivotal to the script. We said, Is this appropriate to allow in what happened when you did that really horrible thing to me that time into this moment and then remember when I got revenge and really f***ed you. Is that appropriate to bring in now?â We found a good balance with that which I think kept it alive. Look, the sexual tension was just palpable. You canât manufacture that. Either it is or it isnât, and it was, and I think what you see is the end result of our power.â Originally written for George Clooney, now seeing what Bullock brings to the table as Jane Bodine is indicative of what good producers Clooney and Heslov are. The level of smooth vitriol that Bullock injects into Jane, together with her patented physical comedic stylings gotta have Sandra Bullock pratfalls!, adds layers and edges that Clooney could not have brought in a man versus man scenario. And being the ever gracious and astute producer that he is, Clooney stepped aside and Straughan rewrote the script for a female in the role. This is without a doubt not only one of the best performances of Bullockâs career, but one of the most intelligent and sizzling roles written for a woman in the last twenty years. Bodine is written with what at times feels like a nod to Katherine Hepburn and Bullock plays it brilliantly. With what must be deemed an extension of his Carville-esque role in âPrimary Colorsâ not to mention being based on James Carville himself, as Pat Candy, Billy Bob Thornton oozes snake-oil slickness, ratcheting up the gamesmanship and cynicism with devilish delight. Always a joy to see on screen is Joaquim de Almeida and here as ex-president and presidential candidate Castillo is no different. De Almeida is perfection and the true embodiment of a âhas beenâ seeking the limelight again. As Nell, Ann Dowd is a pillar of confidence while giving Nell shades of secrecy that adds to the texture of not only the character but the overall tapestry of the film. Anthony Mackie proves to be the moral compass and center of the film as Ben, grounding the story and holding true to the story origins. But the real surprise of âOur Brand Is Crisisâ is newcomer Reynaldo Pacheco. As young Castillo campaign worker, Eddie, Pacheco is pure wide eyed, unjaded, heart. He grounds us with hope and the power of idealism. As related by Green, âWe did some substantial outreach trying to find the perfect Eddie. In a lot of ways, heâs the heart and soul of the movie and a pivot point for Jane Bodineâs character. And so, he represented a lot. It was the one substantial role that I felt needed to be Bolivian, and when I met Reynaldo, he had that energy and that innocence. Thereâs something about Eddie thatâs very optimistic to the point of being naĂŻve, to the point of being frustrating sometimes. I think Reynaldo is very savvy and educated and knew how to navigate some of those difficulty detours and was able to use those looks in the eyes and those little moments and those slivers of a smile that can transform someone thatâs in that difficult position that Jane is in.â Bullock is equally enthusiastic about her co-star. âAs smart and sharp and savvy as he might be, he did possess still the remnants of innocence. . .He hasnât allowed life to chip away at that beautiful hopefulness, and that was needed. You donât get that in a lot of actors, because we all come in and itâs a game and that gets lost very quickly. But he had that and thatâs what you see. Thatâs why you could hang so much of the movie on his moments of loss and grief, and you feel it because he is, to a certain degree, a lot of the character.â Directed by David Gordon Green and written by Peter Straughan, âOur Brand Is Crisisâ is, in a word, brilliant. With a sense of âWag the Dogâ meets âPrimary Colorsâ meets âSpeechlessâ meets âMr. Smith Goes to Washingtonâ, this film has it all. The film walks the rapier line of satire, sarcasm and commentary, finding that sweet spot perfect balance of emotion and story. Political commentary is succinct and spot on showing the global interconnection/dependency/similarity of all countries and democratic systems. Significant is that script is so well structured that âOur Brand Is Crisisâ evolves into a thoughtful and revelatory âCrisis of Conscienceâ. Standout, however, is the satire and emotion. The writing, the direction, the performances â any one or a combination thereof could have been so far left or so far right or gone off the rails completely, but that doesnât happen here. According to Heslov, the credit goes to Straughan. âHe captured the tone that we had hoped for and had talked about. Then the rest was due to the actors. . .It is really a tribute to them.â For director Green, it is a combination of things that came into play to achieve that even tonal bandwidth. âWhen you look at every cast member of the movie, they are incredibly dramatically and comedically capable, and the environment of making the movie was very playful. . .When thereâs that kind of positivity youâre inclined to have as much fun as possible and push the comedic buttons and play with the wit and exaggerate that to some degree. And with that script we had a great foundation for all that. Then itâs a matter of trying to find the strength and heart. We did takes that were outrageous and ridiculous [like Bullock in character mooning Thorntonâs Candy out a bus window] . . .But then you get into the editing room and you really start to sculpt and try to find just how far you can go without losing the foundation of emotion that I felt was very important. So it becomes the collaboration of sitting in the room and trying things out and putting it in front of audiences and see how people respond; and [wondering] can you get away with a llama getting hit by a car. . .It is the kind of thing where we film a lot. We roll and we try it. Itâs a very bold cast that are fearless. We trust each other and we challenge each other. And we figure it out later. â As a side note, George Clooney was adamant on noting, âNo llamas were hurt in the making of this movie. I just want to clarify.â And as for Bullockâs buttocks? Per Bullock herself, âIf my [butt] looks good, then yes, itâs mine. If it doesnât, itâs a butt double.] As the film itself notes, âIn politics, perception matters.â Same goes for movies. The perception on seeing âOur Brand Is Crisisâ is brilliance. Directed by David Gordon Green Written by Peter Straughan Cast Sandra Bullock, Billy Bob Thornton, Anthony Mackie, Ann Dowd, Scoot McNairy
While having quite the comedy value to it, "Our Brand of Crisis" is a simple introduction to politic, the glory and all of its schemes. The premise might be fictional but it presents a decently serious issue with commentary of less-than-subtle nature. The cast is entirely capable on creating mostly unscrupulous characters, although the theme tends to plod in midway Sandra Bullock is a campaign strategist who has infamous rap, often being dubbed "Calamity Jane". She is recruited into Bolivia election while she also has to deal with her personal issues. This is an occasionally dysfunctional woman, to say the least. She's not the people person even though her occupation demands her to engage with other colleagues and acting is strong and with addition of Billy Bob Thornton, Anthony Mackie and Anthony Mackie, it's an engaging race of votes. Some of these characters are more than one-dimensional workers, and their apathetic mannerism or idealistic views are compelling to give more depth to the subject. Its dirty smear strategy also gives insight on the sometimes overlooked aspect of an holds up well, although there are a few points that might be repetitive. Its display of politic world is nice, and the underhanded tactics can be realistically relatable, but the humor can be a misfire as it doesn't connect properly and creates a jarring shift of tone. The issues are somewhat exaggerated which might undermine the authentic message it tries to may not be a landslide victory, but "Our Brand of Crisis" is sufficiently told with great cast and approachable view on politic to grab one's attention.
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